Alternating Currents Film Festival

Davenport, USA, United States, North America

27 - 30 Aug, 2020

Alternating Currents Film Festival logo
Alternating Currents Film Festival

Davenport, USA, United States, North America

Is this your festival?

Is this your festival?

General Information

edition

4th

Contact details

331 W 3rd St Davenport, USA 52801 United States

52801

acffqc@gmail.com

N/A

Web & social

About the festival

Our festival is open to all genres. Our goal is to help the filmmaker promote their work, to meet new contacts and create a new audience. This is about you and we want you to use our stage.

Music. Film. Comedy. Art. - In late August, downtown Davenport will be brimming with energy as over a dozen venues host a wide variety of original live music, film screenings, comedians, and visual artists.

www.alternatingcurrentsqc.com
www.facebook.com/alternatingcurrentsqc

Cash & Trophy prizes for the top films in their category. Additional trophies handed out for excellence.

Best of Fest
Best Local
Best Fictional Short
Best Narrative Short
Best Experimental
Best Student Film

About

Our festival is open to all genres. Our goal is to help the filmmaker promote their work, to meet new contacts and create a new audience. This is about you and we want you to use our stage.

Music. Film. Comedy. Art. - In late August, downtown Davenport will be brimming with energy as over a dozen venues host a wide variety of original live music, film screenings, comedians, and visual artists.

www.alternatingcurrentsqc.com
www.facebook.com/alternatingcurrentsqc

Cash & Trophy prizes for the top films in their category. Additional trophies handed out for excellence.

Best of Fest
Best Local
Best Fictional Short
Best Narrative Short
Best Experimental
Best Student Film

Awards & Winners

There are no winners yet for this festival

Terms and rules

LEGAL NOTES

As a condition of entering the Alternating Currents Film Fest, hereafter known as ACFF, I/we hereby certify that:

1. I/we am/are the sole creators of the film, script, short stories, poems which I/we have submitted to the ACFF.

2. I/we warrant as sole and exclusive owner(s) of all legal right and title there to have absolute authority to submit the enclosed material to ACFF.

3. I/we understand that the ACFF will not return and is not obligated to return my film or any other materials I/we have submitted to the ACFF.

4. I/we hereby grant the ACFF the nonexclusive right to use my name, photograph, and likeness in connection with any and all publicity and promotional activities regarding the ACFF.

5. For filmmakers: ACFF may transfer the submitted material to a hard drive for screening, if needed, and if the submitted material is selected for screening the submitted material may be used by ACFF for promotional purposes.

6. I/we will indemnify and hold harmless ACFF, its judges, sponsors and partners, individually and collectively, from and against all claims, demands, losses, damages, costs, liabilities and expenses including legal expenses arising out of or in connection with any and all claims, or third party claims based on material submitted to ACFF.

7. I/we shall be solely responsible for taking all necessary steps to establish and protect my/our copyright in the submitted material, and the ACFF shall have no obligation with respect thereto. The ACFF shall have the right to reproduce all or part of said material for use in its publicity and any and all related communication directly associated with ACFF.

8. I/we have read all of the festival rules, regulations and releases,understand them, and have complied with them. I/we understand that the festival rules, regulations and releases may change or be updated, and that it is my responsibility to read, understand and comply with any changes or updates.

9. By being accepted into our festival, you are also eligible to be considered for the Executive Directors’ Curated Picks program which is being administered through the State of Iowa. If you are accepted into this program, your film will be included in a highlights reel celebrating some of the best films from Iowa's current film festival season. This curated programming will then be shown in various locations around the state in order to promote our film festivals as a whole and to celebrate the level of programming shown in communities from filmmakers around the world. It's important to note that your film will not be broadcast or shown on-line. If for any reason you would like to opt out of being eligible for this program, please contact the director of this festival. Otherwise, the state's film office will be in contact with you should your work be chosen. If you have any further questions or concerns about this program, please contact EJ Philby at emily.philby@iowa.gov

Ratings & Reviews

Categories and fees

Short Film (Narrative or Documentary)
Early Bird (20th April, 2020) $15
Regular (1st June, 2020) $20
Late (30th June, 2020) $25

RUN TIME Shorts: maximum 30 minutes Open to all fiction & non-fiction work. COMPLETION DATE Projects completed after January 1, 2018 PLACE OF ORIGIN Projects may originate from anywhere in the world PREMIERE STATUS No premiere requirement DISTRIBUTION STATUS Projects may have distribution

Experimental
Early Bird (20th April, 2020) $15
Regular (1st June, 2020) $20
Late (30th June, 2020) $25

RUN TIME Shorts: maximum 30 minutes Experimental film, experimental cinema or avant-garde cinema is a mode of filmmaking that rigorously re-evaluates cinematic conventions and explores non-narrative forms and alternatives to traditional narratives or methods of working. COMPLETION DATE Projects completed after January 1, 2018 PLACE OF ORIGIN Projects may originate from anywhere in the world PREMIERE STATUS No premiere requirement DISTRIBUTION STATUS Projects may have distribution

Student Film
Early Bird (20th April, 2020) $7
Regular (1st June, 2020) $10
Late (30th June, 2020) $15

RUN TIME Shorts: maximum 20 minutes You must be a student or your film must be made while you were a student to be accepted. COMPLETION DATE Projects completed after January 1, 2018 PLACE OF ORIGIN Projects may originate from anywhere in the world PREMIERE STATUS No premiere requirement DISTRIBUTION STATUS Projects may have distribution

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